FULCANELLI'S TRUE IDENTITY (Henry IV of France) |
PATRICK RIVIÈRE His real name was Patrick Kirkpatrick. He pretended to be Fulcanelli and he was interviewed by Jacquies Bergier, the famous coauthor of the book "The Morning of the Magicians." |
FULCANELLI’S MYSTERY
There is no doubt that the name Fulcanelli
evokes mystery. The alchemists have been puzzled trying to discover who this
person was. Even in the present century all the people have failed to discover
the true identity of this remarkable character. Finally the true identity of
this mysterious person was unveiled.
Session 29/OCT/02
Medium: Jorge Raul Olguin.
Entity that came to
dialogue: Master Ruanel.
Interlocutor: Who is present?
Ruanel: I am Ruanel...
Interlocutor: How are you Master?
Ruanel: Pretty disappointed about human beings... There is a lot of
lassitude, a lot of indifference about spiritual things... They believe, in the
immense majority that the only thing that exists is the material world, and
later on, when they disembody, they see with despair that they wasted their time
indulging the ego, because the pursuit of social status or material goods is
ego...
Interlocutor: Master, it’s the eternal story... What you say, we see
it here permanently, in spite of the massive diffusion of the messages we spread
through the Internet, there is very little response...
Here I have scheduled some topics that I consider very important for us to
elucidate. Can I begin with the questions or will you give some message first? I
ask you just in case, I know that you are a specialist in getting to the point,
as we commonly say.
Ruanel: You have said it... Ask the questions and I’ll give the messages as
soon as I respond them.
Interlocutor: The first mystery is related to Fulcanelli who wrote two very famous books, “The mystery of
the cathedrals” (Le Mystère des Cathédrales) and “Dwellings of the philosophers”(Les Demeures Philosophales). These manuscripts were handed over by this
mysterious character to his disciple Eugene Canseliet.
These two manuscripts were published and not the other book titled “Finis Gloriae Mundi” which was also given to Canseliet.
Several centuries have passed and the mystery still persists
regarding to who was the character behind that pseudonym. All about him is
unknown, biographical data, his name, civil status; his condition and his
birthplace are ignored... Everything is mysterious...
Ruanel: The entity who called himself Fulcanelli
in these moments is not incarnated. He is a being of Light of the plane 5,
sublevel 7 who even had an enormous wisdom when he embodied in the XVI century.
He had studied the power of thought a lot. His mental decoder worked 100% of its
effectiveness. He could even make focus on some objects in order to influence
them. I wouldn’t call this ability a power, but rather a gift. Fulcanelli had many gifts. He investigated about the
extension of the human life making focus on his cells.
Interlocutor: Did he have some knowledge about the genome?
Ruanel: No, because in the sixteenth century that topic was ignored. But
Fulcanelli did know that modifying some patterns of
the physical organism, he could end up healing people’s illnesses. He managed to
take care of sick people, obviously not allowing that this event transcended,
and he ended up healing those who had physical problems with his mental gift.
Interlocutor: And Did that have to do with Alchemy?
Ruanel: The true Alchemy was distorted by legends coming from Britain.
Interlocutor: Why Britain?
Ruanel: Because in Britain they spoke about the Philosopher’s Stone, about
the transformation of lead into gold and all those things.
Interlocutor: But was it a misrepresentation of the true Alchemy?
Ruanel: It was a distortion...
Interlocutor: Can lead be transformed into gold?
Ruanel: Yes, it can, through transmuting its molecules. Notice that they
didn't speak of transforming, for example, the iron to gold or copper to gold,
but lead to gold...
Interlocutor: And what was the reason?
Ruanel: Because gold and lead have a very similar specific weight.
Interlocutor: But I understood that scientifically it has not yet
been possible to transform lead into gold...
Ruanel: Yes, it has been achieved! It has been achieved through radiation,
but the process is so expensive that it doesn't have any economic profit.
Centuries ago, speaking of transforming lead in gold, even having these two
metals very similar atomic weight, it was something almost
unthinkable.
Interlocutor: And how did they know it?
Ruanel: The alchemists were people with a tremendous intuition. In that
time they didn't know the chemical knowledge that exists today, they didn’t know
anything about the periodic chart of elements or all those things. But the true
Alchemy, the Alchemy of Fulcanelli and others, it was
not the transformation of metals into gold, but the spiritual transformation.
This is the Alchemy of the wizards, of the true spiritual wizards, transforming
the spirit of error into a Spirit of Light.
Interlocutor: Is that what Jorge and I are doing,
then?
Ruanel: Yes, of course. The technique developed by Johnakan- and Jorge Olguin, called
Psychointegration, is in fact the true Alchemy, the
spiritual Alchemy. Psychointegration is the Alchemy of
the XXI century, although Johnakan had already
developed centuries ago.
Interlocutor: Just like Dianetics?
Ruanel: Not so much, because what Psychointegration is doing at this time is the alchemic
transmutation: it transmutes the negative into positive. And this can only be
achieved through detachment.
Interlocutor: I understand...
Ruanel: When I began gestating Dianetics in my
decoder, what it does and continues doing, is to eradicate, and here I don't
speak of integration, but directly of elimination of hypnotic orders or more
technically called engrams, so that the person doesn't have that mental
conditioning in his decoder, But its function is not to transmute but to
extirpate. Do you understand what I mean?
Interlocutor: I understand perfectly. Dianetics removes the pain contained in the engram and then
the incident automatically goes from the reactive mind to the bank of the
analytic mind as an experience, but the memory is no longer aberrative.
Ruanel: Exactly. Alchemy, on the other hand, transforms. If I had to call
Alchemy with a more appropriate name for the XXI Century, I would call it Psychointegration.
Interlocutor: But who was definitely Fulcanelli? People have said that he could be Canseliet himself...
Ruanel: No, he was not Canseliet, since this one
was his disciple. There were many people who were Spirits of Light who
accompanied and also collaborated with Fulcanelli, in
that life and in other previous lives.
Interlocutor: But who was hidden behind the name of Fulcanelli?
Ruanel: He was an incarnated being who was only seeking to transmute the
souls.
Interlocutor: Well, but he must have had some name... Can’t we know
who he was for the moment?
Ruanel: Don't forget that mystery impels the quest...
Interlocutor: Yes, I understand, but, at least I would like to know
if he is somebody of the long list of possible candidates, among them I can
name: Pierre Dujols, Jaubert
(an unknown character), a brother of Dujols, the
writer J. H. Rosny , Auriger(a hermetist), Jean Julien Champagne, Sauvage, R.
Steiner, Jules Violle, Max Roset and a certain Faugeron.
These are names were proposed, although without conviction, by Hector Morel, an
Argentinean investigator of the esoteric...
Ruanel: You can discard all those hypotheses.
Interlocutor: Then the truth is that Canseliet was his disciple and Fulcanelli gave him the manuscripts...
Ruanel: The original manuscripts got lost.
Interlocutor: But if I remember reading in my youth “The mystery of
the cathedrals”!
Ruanel: They are apocryphal writings. In that time the paper was not of
good quality and the pages became yellowish. Besides, there were no means to
conserve them as you have now. Several authors, who studied the originals and
copied them later on, distorted them in the way they like it throughout
time.
Interlocutor: And the originals?
Ruanel: They simply threw them away.
Interlocutor: But isn’t there anything written by Fulcanelli?
Ruanel: The little that has arrived until your time was distorted due to
interpolations.
Interlocutor: It seems that history always repeats itself... Was
Fulcanelli somebody very famous or he was unknown
during his time?
Ruanel: He was a very well-known character, but he preferred to keep his
anonymity because in that time Alchemy was considered verbosity. Fulcanelli needed to preserve his prestige due to the
highest function he had and if he had given to know his studies, he would have
earned surely many enemies and his mission would have been hindered or been
impossible.
Interlocutor: Master, Could you give us an indication, so that those
who are searching the truth can discover who Fulcanelli was?
Ruanel: Behind the name Fulcanelli was hidden the
most outstanding personality in the XVI century, and his name even appears among
the 100 more important characters of the second millennium. One of his sentences
passed to history: "Paris is well worth a mass."( Paris vaut bien
une messe) He died murdered
by a Catholic fanatic at the end of the first decade of the XVII century.
Interlocutor: Here I have the preface of the work of Fulcanelli "The mystery of the cathedrals", written by E. Canseliet, in one
of the paragraphs it’s written: “The author of this book is no longer with us,
and has not been for a long time. The man faded away, Only his memory remains. I
cannot without sorrow recall the image of that industrious and wise Master to
whom I owe everything, and lament that he soon departed… My Master knew this. He disappeared when the
fatal hour struck, when the Sign was accomplished. Who, then, would dare to set
himself above the Law? As for me, in spite of the anguish of a painful but
inevitable separation. I would act no differently myself if I were to experience
today that joyful event, which forces the Adept to flee from the homage of the
world”. I ask you, although it seems obvious, if Canseliet was referring in these terms to his Master's
unforeseen assassination...
Ruanel: That’s right, those are words referred exactly to his tragic death.
Interlocutor: To conclude with this topic, what is the reason that it
has become so much mystery on Alchemy, when in fact it’s definitely nothing more
than the quest of a spiritual transformation?
Ruanel: Because, as I already said, in the Kingdom of Britain, during that
time, in order to protect those great wise men, because there were many more,
they distorted the whole story, and even the writers have corrected some
manuscripts saying that Alchemy was the transmutation of the elements because
that was more attractive. Who would be interested in the transformation of the
soul in than time? Obviously nobody would be interested, or perhaps very few
people. Many people were interested in transforming metals into gold though.
Interlocutor: Do the cathedrals have in fact something hermetic? I
refer to Fulcanelli’s book "The mystery of the
cathedrals."
Ruanel: There are some cathedrals that, in a certain moment were inhabited
by monks. These buildings had hidden sliding doors that opened to secret
passageways, which in turn led to rooms where they kept valuable documents and
books.
Interlocutor: There is a movie that showed exactly something like
that. I refer to the film “The name of the Rose” with the famous actor Sean
Connery, who played the role of a monk who was investigating documents hidden in
secret passageways. I remember this film very well.
Ruanel: During that time it was commonplace to have hidden
rooms because they were always at war, and that was the only way to protect the
most valuable possessions.
Interlocutor: But, Concretely, does the structure of the cathedrals
have some power? I mean if the design has some mystery.
Ruanel: In that time they didn't have the necessary knowledge to make
something like that. What happens is that Fulcanelli
was also a brilliant architect and he designed two or three chambers in some
cathedrals with similar powers to the Pyramids of Egypt in order to attract
energy from the space.
Interlocutor: Weren’t the
Pyramids of Egypt huge teleporting machines?
Ruanel: Correct, but they were also energy channels. I’m not speaking of
the same thing, but rather I want to mean that the chambers built by Fulcanelli had special characteristics, and these special
characteristics were in fact what gave place to the mystery of the cathedrals.
Interlocutor: Then, the mystery of the cathedrals had nothing to do
with the external structures?
Ruanel: No, nothing at all.
Interlocutor: Well, I believe that for the time being, we can leave
this topic here.
Ruanel: I leave all my Light to you.
Interlocutor: Thank you, Master, and see you
later.
Session 15/NOV/02
Medium: Jorge Raul Olguin.
Entity that came to
dialogue: Master Ruanel.
Interlocutor: Who is present?
Ruanel: Here I am again with you. I’m Ruanel.
Interlocutor: Hello, Master, I needed you more than ever. Will you
give some message before we go directly to the questions?
Ruanel: No, as I always do, I’ll give the messages on the
march.
Interlocutor: Well. My first question is related to the name of Fulcanelli, since in the last session this issue was left
pending.
Ruanel: This entity was favored by the Energies Lipikas and he had a contact with the Akashic Records and then his reincarnative memory worked in a very high
percentage.
Interlocutor: Didn’t he have his reincarnative memory deleted?
Ruanel: Correct. He used the same alias as the previous reincarnation he
had.
Interlocutor: That is to say, in a previous life Fulcanelli, the alchemist, was also called Fulcanelli?
Ruanel: Correct.
Interlocutor: Which time are we talking about? I mean to the
alchemist.
Ruanel: 1500 to 1600. He was a king.
Interlocutor: A king? Who was he?
Ruanel: He was a king of that time. This king hid his identity under the
name of Fulcanelli because he didn't want that the
people around him know that precisely the king was involved in this kind of
investigations, because in that time they were seen badly.
Interlocutor: But how did he call himself?
Ruanel: Check it out, he was the King of France
during the last decade of the XVI Century.
Interlocutor: Okay, At this time I don't remember who he was. I will
look for it. [1]
Session 13/DEC/02
Medium: Jorge Raul Olguin.
Entity that came to
dialogue: Master Ruanel.
Interlocutor: Who is this?
Ruanel: I'm Ruanel...
Interlocutor: I was waiting for you with some anxiety, because the
subject on which I have to ask you is important. I
confess that despite all my efforts I couldn’t solve the puzzle... Surely you
have read my mind already and you know what I’m talking about... All the texts I
found on the Internet place Fulcanelli and his
disciple E. Canseliet in the Twentieth Century. Even
the first French edition of The Mystery of the cathedrals has the preface
written by Eugène Canseliet,
in 1925.
Ruanel: Sometimes the simplest things are camouflaged making them
complicated. And the embodied man, for that blessed mental decoder that he has,
distorts things so that he doesn’t see the obvious
things.
Interlocutor: Are you referring to Fulcanelli’s case, right?
Ruanel: Yes. And I confirm it, but you already know that the date given
about Fulcanelli is correct.
Interlocutor: With that date I found the king of France, Henry IV,
until he was assassinated by a Catholic fanatic on May 14,
1610.
Ruanel: The embodied beings have a biological barrier that prevents them
from living more than a certain age. Don’t believe, therefore, in the silly
mythologies of the Bible, which states that one could live up to 900 years old.
Unfortunately, ignorant people still continue to take the biblical texts to the
letter.
Interlocutor: But what has happened really?
Ruanel: It happened one thing very obvious. There
is one incarnated person ─ you will search for this person, if he appears ─
called Patrick Kirkpatrick, who adopted the name Fulcanelli as his own, because he admired the pseudonym of
Fulcanelli. Then, this Fulcanelli of the nineteenth and twentieth century,
supposedly met the writer Jacques Bergier, but this
person was not the real Fulcanelli.
Interlocutor: But then he was an impostor acting as Fulcanelli?
Ruanel: Yes.
Interlocutor: And Eugene Canseliet, whose
biography says that he was born in 1899?
Ruanel: This is another similar fraud. A person named Jean-Pierre Léonard,
of French origin, not from the continent, but from an island, adopted the
pseudonym Canseliet and helped in many investigations
to the Fulcanelli 2- That is ‘Patrick
Kirkpatrick’.
Interlocutor: Do you mean that there is a Canseliet 2 and a Fulcanelli 2,
who are impostors?
Ruanel: Yes. They Joined to profit at the expense of Fulcanelli. I wouldn’t say directly that they are a fraud
because they seriously investigated the issue of the cathedrals, although they
had a commercial interest.
Interlocutor: At this moment, with what you're saying, I have a
doubt, whether the preface that appears in The Mystery of the Cathedrals belongs
to the true Canseliet. I ask it because the text is
perfectly consistent with what happened to Fulcanelli.
I mean, among other things, to his unforeseen assassination. Was this preface
written by the true Canseliet?
Ruanel: Yes, it was written by the true Canseliet. But later on, in early twentieth century, when
editing the books on paper, the person who signed as Canseliet was Jean-Pierre Léonard ‘the Canseliet 2’ the impostor.
Interlocutor: But how could such thing
happen?
Ruanel: The owners of the publishing company, who do not even know the
members of their own biological family, even less will they investigate the
perpetrators. Furthermore, they were not well-known public figures, like
Pasteur, in which case they would have make sure of his true
identity.
Interlocutor: I understand perfectly what you say... Now, the first
edition signed by Fulcanelli 2 and prefaced by Canseliet 2 was the first edition of the work of Fulcanelli?
Ruanel: It was the first edition printed massively. Obviously there were
rudimentary copies of the book from the time of the real Fulcanelli and Canseliet. These
writings have been kept. There was little movement, as it happened in that time.
But it was a logical thing because we are talking about many centuries after the
invention of the printing press.
Interlocutor: Do you know the date of Canseliet’s birth?
Ruanel: About fourteen years after the birth of Fulcanelli, and due to a paradoxical issue, which has
nothing to do with causality, he died fourteen years after his master was
killed.
Interlocutor: So, both, Fulcanelli and his
disciple, had the same age when they died?
Ruanel: Yes.
Interlocutor: I have one picture and a text, I got from the Internet
which says MERCVRIVS of MERCVRIO, and down a date: 1695 ... It is unclear to me
what it means...
Ruanel: The picture is fake and the date as well. It was forged by Jean
Pierre Léonard.
Interlocutor: One can hardly believe it... When the real Fulcanelli gave to his disciple Canseliet his manuscripts?
Ruanel: He gave them to him 14 years before the death of his Master...
always the number 14 appears...
Interlocutor: Do you mean in 1596?
Ruanel: Yes.
Interlocutor: By the calculations that I'm doing now, I can say that
Canseliet was 29 years old when Fulcanelli gave to him his manuscripts. Is that
right?
Ruanel: That's right.
Interlocutor: Will I be able to prove conclusively all this data or
will it be another theory?
Ruanel: Unfortunately there is very little
information.
Interlocutor: I wonder if there is a true biography of Canseliet... Because if I could find something like that,
then the fraud would be evident.
Ruanel: It is very difficult to find something.
Interlocutor: I'll see what I can find... Does the infamous co-author
of The Morning of the Magicians, Jacques Bergier, was
really deceived by the false Fulcanelli, I mean by
Patrick Kirkpatrick?
Ruanel: Yes, he was duped.
Interlocutor: Were the False Fulcanelli and
Canseliet, alchemists?
Ruanel: I would not call them alchemists. When in the fourteenth and
fifteenth century people talked about alchemists, they naively thought about the
transmutation of elements. Great spiritualists like Fulcanelli, not to be confused with spiritists of the time,
knew that the real transmutation was in the soul, but, and this is very
important so state for the people, they worked on elements because, again, they
naively thought that through the mixture of certain elements, working with small
amounts of mercury, with plants, but in very small amounts to avoid poisoning,
perhaps a drop in a liter ...
Interlocutor: But didn’t that operate cumulatively swallowed and
eventually the body would be poisoned?
Ruanel: Yes, in the end it could do the same effect of arsenic
poisoning!
Interlocutor: Did Fulcanelli also ingest
these substances?
Ruanel: Yes, absolutely.
Interlocutor: Obviously nobody achieved anything... Is that
so?
Ruanel: Of course... But they did believe in good faith that it could give
some good results. In the nineteenth and twentieth centuries, when people speak
about Alchemy, they still continue to believe that it is about the
transformation of metals into gold, or in the quest of the Philosopher's Stone,
which does not exist. However, Fulcanelli 2 and Canseliet 2, I mean the False Fulcanelli and Canseliet, knew the
truth. And there is the fraud on behalf of them, because they kept writing books
on this topic for nothing more than commercial interests. There was a total bad
attitude on behalf of them.
Interlocutor: Concretely, the ancient alchemists were sincere in the
quest because they believed in good faith in the possibility of transmuting
metals into gold, and the false Fulcanelli and Canseliet did not act in good faith because they knew that
indeed; the only thing they wanted was commercial revenue through
deception.
Ruanel: Yes. But the ancient alchemists did it with all the enthusiasm,
thinking that eating certain types of metals, in small proportions, of course,
they could get results. In fact, they were not so wrong, because there are herbs
that can give some results and they were used by the shamans in Peru, for
example, about the same time, a hundred years before the colonization and more.
Herbs also worked with the Aztecs, the Mayans...
Even today, but that is another issue, there are schools where they
work with metals and salts to swallow. The preparations, which consist in
placing the metals in distilled water for 24 hours, then they sell them, like
they sell Bach Flower remedies, in the belief that these metals will then
transmute. Sometimes crystals of amethyst and citrine quartz are put in water in
a glass, and then people drink it.
Interlocutor: Isn’t nonsense?
Ruanel: Sure! But all of this was promoted due to the bad faith of the
false Canseliet and the false Fulcanelli. All these schools were programmed in the present
the early twentieth century. This means that there is now a large legacy,
negative of course, due to those false alchemists.
Interlocutor: Beyond the effects that the alchemists were looking for
by ingesting metals, there is another thing you said in the last session: The
true alchemists, like Fulcanelli, were looking for the
elevation of the spirit from the planes of error to the planes of Light. At
present, We know how to do it through the integration of the ego, the Service,
etc... But the question is: How did they seek that
elevation?
Ruanel: They erroneously sought it through the methods already mentioned,
with which it was impossible any spiritual elevation. The only way to rise
spiritually in those times was being a mystical person, like my brother Johnakan was, who embodied as John of the Cross, who
achieved to discover the nothingness, the Total emptiness, and who had contact
with the Absolute.
Interlocutor: In short, Fulcanelli, as a
Spirit of Light, was in the plane 5 sublevel 7, when he disembodied he did not
rise at all... Is that so?
Ruanel: Fulcanelli’s mistake, so-to-speak, was
that he thought that by ingesting metals in small amounts, he could ascend the
physical body and consequently also spiritually.
Interlocutor: Well, Master, I think that for the time being this
issue would be closed.
[1] The Master Ruanel was referring to Henry IV
of France, born in 1553. His reign lasted from 1589 until he was assassinated by
a Catholic fanatic named François Ravaillac on May 14,
1610.
|
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